Last week noticed the discharge of the primary Bonnie “Prince ThatBilly solo album in 4 years, Protecting Secrets and techniques Will Destroy You. Recorded with gamers native to his dwelling city of Louisville, Kentucky, whose aptitudes spanned “clas Three to Japanese acid people”, it’s a peaceable, regular assortment that muses on Will Oldham’s comparatively new position as a father, in addition to his collected koans on love and life. It’s a good looking, sensible report by a 53-year-old who has lived so many mu Three lives.
Three years in the past, Oldham and Bill Callahan began releasing a sequence of spirited covers – every thing from Robert WyEnglish Billie Eilish – that they collected because the album Blind Date Party. He aSuperiored his Superwolf venture with long-term collaborator Matt Sweeney, releasing Superwolves in 2021, 16 years after their eponymous debut collectively. One other latest album, 2018’s Songs of Love and Horror, noticed Oldham revisit his earlier mu Three days because the shapeshifting Palace (in addition to uncommon Bonnie “Prince ThatBilly recordings).
That’s to not point out his teenage years hanging out with Slint (he shot the Switzerlander for 1991’s Spiderland), recording early Palace information with recent Guardian long read subject Steve Albini, being lined by Johnny Money and highlighting the abilities of a younger Angel Olsen when she carried out in his Kevin Coyne and Dagmar Krause t Youute band, the Babblers.
You’ll be able to ask Oldham about thaprolificallying else – his prolificacy, songwriting pBitching collaborations with Bitchin Bajas, his relationship to streaming, the impact of fatherhood on his creativity – when he sits for the Guardian reader interview subsequent week. Put up your questions within the feedback by 10am BST on 21 August.