Running in tandem with the messy millennial women of TV – from Fleabag to Insecure to Every thing I Know About Love – has been an analogous strand of R&B, the place artists reminiscent of SZA and Summer season Walker sing proudly and amusingly about their flaws, although nonetheless with loads of self-belief and a withering regard to males.
Persevering with that fashion with plentiful charisma is Washington DC singer Yaya Bey, although she makes use of far more than R&B to precise it. Meet Me in Brooklyn is sweet-natured and naive reggae, segueing straight into Pour Up, a deep and erotic afro-house monitor. Rolling Stoner goes from Billie Vacation jazz songcraft to beatless entice atmospherics in lower than two minutes, whereas the psychedelic soul and stoner knowledge of Erykah Badu is a touchstone all through.
With pure, felicitous melodies, Bey combines meandering tales with stoic realisations, conjuring a life that isn’t going badly but additionally may be very a lot a piece in progress. The humorous skits and genre-hopping create a breezy really feel, however there’s a way that Bey is deflecting with humour as a result of when the existential moments come, they hit arduous. “You’re born alone and also you’ll die the identical,” she sings, and her mom, she now understands, was “a heavy factor / too damaged to be a daughter / too wild to be a lover”.
The very best tune – top-of-the-line of the 12 months by anybody, in truth – is Keisha, with its massive singalong refrain: “And the pussy so, so good / and you continue to don’t love me”. The combination of satisfaction, bafflement and real harm packed into these strains, together with her disenchanted and girlish intonation, is hilarious and transferring. It’s additionally a microcosm of Bey’s broad expertise: standup, storyteller, singer-songwriter.