Album
Jill Scott - To Whom This May Concern
To Whom This May Concern update: chart status and the best nearby picks.
Release Overview
To Whom This May Concern is #16 on the US album chart, and it is currently Jill Scott's highest entry in this snapshot.
Released on February 13, 2026, the track sits in R&B/Soul. A playable preview is available on Apple Music. At 4 days old, it is still in an early chart phase.
Across 4 daily snapshots, the high is #13, the low is #26, and the average sits at #17.8. The latest move is unchanged versus the previous snapshot, with a net move of up 10 since the first recorded point. The rank spread so far is 13.
For now, this is the only Jill Scott title in this chart snapshot. Within today's R&B/Soul group (8 tracked releases), this title is holding a mid-pack slot.
A #16 rank looks simple on the surface, but what listeners usually want is the shape behind that number. Is it still climbing, leveling out, or cooling off after a peak? With 4 tracked days in this run, the timeline is still young, but it already gives a clean baseline for how this track is behaving.
Jill Scott has 1 active entry in the same chart window, and To Whom This May Concern is setting the pace for that cluster. That artist-level view matters because fans rarely stop at one song; they usually move to the next closest title from the same cycle.
At 4 days old, this track is far enough from launch week to judge staying power. New releases can spike on curiosity. Older songs that remain visible usually stay there because listeners keep replaying them, playlists keep supporting them, or the catalog keeps pulling people back.
That is why genre framing is useful here. In a R&B/Soul set with 8 tracked releases, movement can be read against comparable songs rather than unrelated chart traffic. It keeps expectations realistic and makes the related links feel relevant instead of random.
The movement note is intentionally plain language. Flat means the audience is holding. Up means momentum is building. Down does not make the track irrelevant; it shows where demand is settling after a high point. Either way, the page stays useful because it describes what is happening now, not what we hope happens next.
If you are here to decide what to queue after this, the shortest path is usually the best one: stay inside this artist lane first, then step into the nearest genre neighbors. That keeps the listening session coherent and matches how people actually move through chart pages when they are in discovery mode.
If To Whom This May Concern is your entry point, the cleanest next move is to stay in Jill Scott's current lane: jump next to the closest tracks in the same run. Those steps keep the mood intact while still showing range inside the same chart cycle.
That sequence also explains why this run feels sticky right now: one clear leader, multiple nearby titles, and enough replay behavior to keep the catalog active well past release week. If the next snapshots stay flat near the top, this starts looking less like a moment and more like a sustained phase.